Samuel Fosso

por mayra vilar lins

da República de Camarões:

Series TATI

“Fosso started taking self-portraits using up exposures on his films – to send to his mother in Nigeria, whom he had left behind as a refugee fleeing the Biafran war in the late 1960s. Although his initial aim was to show he was alive and well, his interest in exploring the genre grew steadily, and he experimented with new techniques and poses (…) His local community remains unaware of Fosso’s success, a situation Fosso is keen to maintain. He is happy to keep his costumes out of sight and continue his passport and portrait photography business. His neighbours assume he travels to Europe to take wedding photos. (…)”