por mayra vilar lins

Joan Fontcuberta for VICE
– There should be space to make mistakes, and for luck.
Exactly, because really the history of art can be interpreted as a history of making mistakes. At least in terms of photography. What the vanguard did was see the mistakes as a tool. What before was an error or an accident, became a part of their vocabulary of expression and made it richer. This is the point where photography grew up, and I assume the same happened in other mediums. Going back to Playboy, do you know a guy who calls himself the Fake Detective?
– No, who is he?
He goes through the Internet looking for fake photos of naked celebrities on porn sites, then he finds where the different components come from. So he catalogs the combination of faces and bodies; say the face of Farah Fawcett on the body of Jenna Jameson, for example. There are hundreds up on his site. He’s this total OCD geek, finding all these erotic Frankensteins.


– Tell me what you mean by “prophylactic fiction.”
Fiction takes many forms. But it’s safe to say that there’s fiction that has economic or political goals, as well as an artistic fiction that strives for beauty. I propose a third type. An artistic fiction whose aim is to deconstruct and expose fiction that lies to us. I’ve got nothing against artistic fictions, although I do think that it sweetens the pill so to speak. They anesthetize us in terms of how we react to, and our capacity to deconstruct those fictions that actively mislead us for a purpose. So my proposal is “prophylactic fiction,” in that it enables us to be aware of and to protect ourselves from those fictions that have an agenda.